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Posts Tagged ‘song’

Not Good Enough

Chain & The Gang – “Not Good Enough”

I phone this song at 8 a.m. and after two rings it picks up but doesn’t say hi.

“Hi,” I say, into the silence. This song and I have been best friends since the seventh grade and it knows why I’m calling. It knows everything. Have you ever had a best friend? This song and I do everything together, we finish each other’s sentences, we have nicknames for people we don’t like, I can call it whenever. Sometimes things get so close it’s like sharing a spinal cord. We breathe the same. We repeat ourselves. We get each other. This song and me.

“I’m heartbroken,” I say anyway, even though I don’t have to. My ribs swell and ache when I breathe in. I can hear it lighting a cigarette. “Like but actually though.” This is true. Things are not good. I’m sitting on the kitchen floor wearing men’s boxers and a dumb t-shirt, with my knees pulled up to my chest. So far tonight I’ve eaten three toaster waffles, all dry, two still frozen a bit in the middle, and half a thing of “Italian-Style Seasoning” because it was green and in the cupboard and I don’t know. You know how in CPR training they tell you that to save someone who’s not breathing you have to crack their sternum first? This song knows I hate silence. Even though we’re exactly the same height people always seem to think it’s taller than me. I can hear it exhale, long. I wish it would say something.

“I’m going to go to the clinic. I feel like I’m going to die.” Quiet, still. I spent all night pacing around, remembering things, and my hands won’t stop shaking. The kitchen floor suddenly seems like the wrong place to be, I can feel morning starting to push through the windows like it’s going to climb over me. “I looked it up on WebMD. It’s a thing.” The silence goes, Heartbreak? I’m blushing now, into my knees. I can picture it lying in bed, dangling its non-phone hand lazily over the side, smoke listing up, with the hedgehog skittering in nervous spirals on the hardwood like it does. I’ve never seen this song sleep. I’m not sure if anyone has.

My breathing is weird-paced and ragged. My arms feel too hot. I go, “I can’t deal with this anymore.” I go, “What I’m saying is.” What. Still the silence. I’ve been awake for a full day, I feel flushed and bruised and stupid for calling. Can somebody explain why me and this song are still friends? When we go to parties everyone always talks to it first even though I’m clearly the better conversationalist, and last week it invited me out to the movies and never showed up or said sorry. This song answers its texts maybe 30% of the time and never asks how my day was and when we were seventeen it would steal my little brother’s adderall and sell it to kids at the Catholic high school across the street, like I wasn’t going to notice, and two weeks ago it borrowed my favourite pair of jeans and has yet to return them and probably it never will, probably it’s wearing them right now, lying there in bed, not listening to me, this song has a dumb haircut. I don’t care.

“Are you sitting on your kitchen floor wearing men’s boxers and a dumb t-shirt?” it asks.

“No.” Whatever.

“Okay.”

I’ve been eating my food out of mugs because doing the dishes is too much for me, because of the breadth and intensity of the heartbreak I’ve been feeling, and how hard things have been, how I haven’t been sleeping, how everything tastes like pavement anyway, except now there aren’t any mugs left so last night I made tea in a salad bowl and just drank it that way, tipping the side of the bowl to my face, still sitting on the kitchen floor. I can hear this song smiling, down the line. One time at a party it stole some guy’s wallet just because he’d been mean to me and we bought three 24s of expensive beer with his credit card and then threw all his I.D. into the river. There’s sun now and I can feel my roommates moving, through the floorboards. I feel tired for the first time in days maybe. The weather. Something diffuse in my bloodstream. This song isn’t saying anything, but I know that it’s lying there, grinning its stupid smug grin, with its eyes closed, just waiting.

“It’s not funny,” I say, way too loud. And of course.

[Buy Music's Not For Everyone]
[Buy Meet Me At The Muster Station]

 Not Good Enough

 Not Good Enough

 Not Good Enough

Not Good Enough

The Unspeakable Chilly Gonzales Suite orchestral rap album

chillly The Unspeakable Chilly Gonzales Suite orchestral rap album

Chilly Gonzales’ next step after his brilliant Ivory Tower album and movie last year will be The Unspeakable Chilly Gonzales Suite, an all-orchestral rap album out on June 6th with live shows to follow.

Accompanied by Hollywood swells, tympani rolls, noble French horns, hypnotizing bells and influenced by Prokofiev, Morricone and Phillip Glass among others, this record is Chilly Gonzales’ ‘professional confessional’, revealing more of himself on these monologues than ever before.

Accompanied live by a chamber orchestra, Chilly Gonzales will explore the idea of what a modern maestro is. The arrangements by his Hollywood film-composing brother Christophe Beck, take center stage alongside Gonzo’s eccentric personality.

It’s like piano rap’s version of Fantasia. Download the song.

The Unspeakable Chilly Gonzales Medley

3db666a789large.png The Unspeakable Chilly Gonzales Suite orchestral rap album

 The Unspeakable Chilly Gonzales Suite orchestral rap album

The Unspeakable Chilly Gonzales Suite orchestral rap album

Enemies – ‘Coco et Moi / Robert Reid’ (videos)

Two videos beautifully shot by Tiny Ark of Enemies‘ new 7″ songs.

3db666a789large.png Enemies – ‘Coco et Moi / Robert Reid’ (videos)

 Enemies – ‘Coco et Moi / Robert Reid’ (videos)

Enemies – ‘Coco et Moi / Robert Reid’ (videos)

Incoming search terms for the article:

enemies robert reich

Introducing: Clams Casino – spaced-out blunted hip-hop beats

clams Introducing: Clams Casino – spaced out blunted hip hop beats

Behind every great rapper is likely a great instrumental producer. 23 year-old Michael Volpe is a New Jersey hip-hop producer that has been making beats for the likes of Lil B and Soulja Boy. Far from bombastic rap instrumentals, his work is blunted and space-filling, not the obvious choice for such showy rappers but therein lies the key to Clams Casino’s music. Once you hear Lil B over the top of ‘Oh My God’ it makes sense.

A few weeks ago Clams Casino released a free EP of instrumentals of his work that serve as a superb intro to his sound.

Download: Clams Casino – Motivation [Lil B]

As Clams told Pitchfork: “My beat “Realist Alive” samples the song ‘Hometown Glory’ by Adele– it’s not a weird source, but I just make it sound weird. To find things to sample, I used to just type a random word– like ‘blue’ or ‘cold’– into LimeWire or BearShare and download the first 10 results. I had no idea who the artists were or anything.”

Download: Clams Casino – Realist Alive [Lil B]

In June, New York label Tri Angle (home to Holy Other and How To Dress Well) will release his Rainforest EP, from which ‘Gorilla’ is taken from:

Clams Casino – Gorilla

Read a Village Voice interview with Volpe.

Clams Casino : “Gorilla” from Jamie Harley on Vimeo.

3db666a789large.png Introducing: Clams Casino – spaced out blunted hip hop beats

 Introducing: Clams Casino – spaced out blunted hip hop beats

Introducing: Clams Casino – spaced-out blunted hip-hop beats

Incoming search terms for the article:

lil b the realist alive mp3,michael volpe artist

Album Of The Week: tUnE-YaRdS – w h o k i l l

whojill Album Of The Week: tUnE YaRdS – w h o k i l l

After listening to w h o k i l l, tUnE-YaRdS’ phenomenal new album, go back and listen to Merrill Garbus’ debut Bird-Brains. It’s rough, shoddily-produced, abrasive and full of ideas. By virtue of the way it was recorded and released – on a handheld voice recorder and second-hand cassettes (the album was ultimately remastered), it sounds better than it has any right to be but it’s still more of an interesting experimental lo-fi record than one to fall in love with.

By contrast, w h o k i l l is a pop record. Of sorts. Effortlessly carried by Garbus’ voice which loops, shouts, yodels harmonises, croons, skitters and creaks in all the right places. Meanwhile, the instrumentation is pristine and visible with playful rhythms. Garbus’ songwriting is top-notch. Her time in Kenya studying music comes across in the Afrobeat melodies and the employment of jazzy horns (oh er missus) and high-fretted stunted guitar riffs along with her trusted ukelele. The percussion is bright and primal. And the songs are fucking magnificent. All 10 of them. Best of all, it still sounds absolutely bonkers.

Three favourites for detail: ‘Gangsta’ is possibly the most unhinged song on the album. Clattering drums, distorted bass envelopes the song, brass parps interject. Garbus impersonates an ambulance. No joke. ‘Bizness’ is the album’s most complete pop song – a endlessly repeatable tune. When the brass comes along for the ride at 2:26 and again at 3:40, it’s pure bliss. ‘Doorstep’ – a mama blues mantra which builds with flittering harmonies and loud drums into a swirling elegant end.

w h o k i l l is a whooping and hollering joy. eXceLlEnT.

w h o k i l l is out now on 4D. Listen to it for a limited time. tUnE-YaRdS plays Whelan’s, Dublin on June 17th. Tickets are €16 plus fees.

tUnE-yArDs – Gangsta

3db666a789large.png Album Of The Week: tUnE YaRdS – w h o k i l l

 Album Of The Week: tUnE YaRdS – w h o k i l l

Album Of The Week: tUnE-YaRdS – w h o k i l l

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